Henri Cartier-Bresson

Henri Cartier-Bresson Edit

(1908-2004, France)  
[www.henricartierbresson.org ]

( fr ) Born in Chanteloup, Cartier-Bresson started painting in 1923 and began to photograph in 1931. He met Tériade, the editor of Verve magazine, and got to know members of the French surrealist movement. After a trip to the Ivory Coast he discovered the Leica, which became his camera of choice. He pursued his photographic career in Eastern Europe and Mexico, later on making films with Jean Renoir, Jacques Becker and André Zvoboda and a documentary on Republican Spain (1937). A prisoner of war, he escaped in 1943 and made portraits of artists: Matisse, Rouault, Braque, Bonnard. In 1945 he photographed and covered the liberation of Paris with a group of professional journalists before filming the 1946 documentary 'Le Retour' (The Return). He then spent a year in the US to complete a 'posthumous' exhibition, initiated by New York's Museum of Modern Art who had believed that he was dead. In 1947 he founded Magnum Photos with Bill Vandivert, Robert Capa, George Rodger and David Seymour 'Chim', then spent three years in India, Burma, Pakistan, Indonesia and China (during the last six months of the Kuomintang and the first six months of the People's Republic of China). In 1952 he returned to Europe and in 1954 was the first foreign photographer admitted into the USSR. He subsequently travelled to China, Cuba in the 1960s, Mexico, Canada, the USA, India and Japan among other countries. In 1968 he began to curtail his photography and follow his passion for drawing and painting. Best known for his concept of the 'decisive moment' in photography, Cartier-Bresson is the recipient of an extraordinary number of prizes, awards and honorary doctorates.

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Osian's to start new art festival in July
More than 20 Indian artistes will be part of the exhibition, including the likes of Manjit Bawa, Satish Gujral and Surendran Nair. The exhibition this year focusses on “500 Years of Violence Non Violence in both Mumbai and Delhi”. According to Osian’s, aesthetic ideas that will be prominent during the exhibition include “themes such as death, the erotic, the human face and the history of man, animal and nature”. [Read more]
8 days ago on Indian Express  (Henri Cartier-Bresson
Kodachrome, the lush and seductive colors of our lives, dies at 74
Eastman Kodak Co. announced Monday that it's bidding farewell to Kodachrome, its oldest and the first commercially successful film. At first, it seemed like another moment to engage in brief, Pavlovian nostalgia of the rotary telephone or monophonic record album sort. There were pro forma histories of the film and mention of its invention by two young musicians; its early use by Hollywood; how sales are just a smidgen of Kodak's total sales; and how it's so difficult to process that only one joi [Read more]
12 days ago on Atlantic Online  (Henri Cartier-Bresson
Art treasures
Neville Tuli of Osian's says, For the past nine years, Osian's objective has been to take the arts out of the purview of the few and traverse all sections of society irrespective of social class and privilege yet without compromising on intellectual rigour and aesthetic sensibilities. This is the most difficult balance. However, creating the basic platform, public goodwill and excitement has taken us over nine years and still there is much more to be completed. [Read more]
19 days ago on Daily News & Analysis  (Henri Cartier-Bresson
Best of Miami 2009 Preview: Best Street Photographer
Carlos Ramos/Miami FeverBest Street Photographer Carlos Ramos (AKA Miami Fever)miami-fever.comiaminmiami.comWith the advent of the now ubiquitous camera phone and cheap broadband, almost anyone can become a famous photographer overnight. Well, not quite anyone. There's still this little thing called talent that isn't quite universally available yet. But Carlos Ramos definitely has it. Ramos is the shutterbug known to his many fans as Miami Fever. Day after day for the past several years, he's up [Read more]
27 days ago on Miami New Times  (Henri Cartier-Bresson
Christopher Hyland Photos At New Britain Museum Of American Art
There's one Henri Cartier-Bresson and one Herb Ritts that looks like a direct descendant of a Mapplethorpe. And there is one Mapplethorpe: a portrait of a [Read more]
some time ago on Hartford Courant  (Henri Cartier-Bresson

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